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Letters, with Love: celebrating communing through words

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Rosie Coleman Collier, Emma Aars, Lucy Rose Cunningham (MLitt in Curatorial Practice & MLitt Art Writing postgraduates) ‘Letters, with Love’ received support from ‘Thinking Culture’, a cultural programme supported by the School of Culture & Creative Arts. On Tuesday 7th February, we – Rosie Coleman Collier, Emma Aars and Lucy Rose Cunningham – hosted the… Continue reading

Congratulations to our 2022 SCCA PGT Prize winner!

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Each year the School of Culture and Creative Arts awards a prize to the best performer from the cohort of students who are graduating from our Masters programmes. This year the prize is awarded to Eugenie Theuer from our MSc Film Curation programme for achieving the highest GPA. We caught up with Eugenie to congratulate… Continue reading

Performing the Archive

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Over the past eight months, Theatre Studies has been collaborating with the team at the University of Glasgow’s Archives and Special Collections to explore how performance methodologies might help tackle the problem of ‘archive anxiety’, the inherent barriers that can stand in the way of a deeper engagement with archives. As the work draws to… Continue reading

Bertha Waddell’s Children’s Theatre: combing the Scottish Theatre Archive for remnants of a theatre company especially for children

Published on: Author: andrewbradburn 14 Comments

Founded almost 100 years ago, remarkably forward-looking and still echoing in contemporary times, Siân MacGregor found their elusive history irresistible when researching children’s theatre as part of the MLitt Theatre Studies programme. “Cuckoo! Item Number One!” The call which signalled the start of every show was coined when its inventor was barely older than her… Continue reading

Congratulations to our PGT prizewinners!

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Each year, a prize is awarded to our top performers on our postgraduate taught programmes. This year, the prize has been shared between Katie Lombardo (MLitt Art History: Renaissance) and Ilia Ryzhenko (MLitt Film & Television Studies), who both achieved outstanding results in their dissertations. We spoke to Katie and Ilia to find out what… Continue reading

Rethinking Digital Ideologies | In Conversation with Laura Marks

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Dr Laura U. Marks, perhaps best known for her influential theory of haptic visuality, has built an impressive body of work focusing on embodiment in moving image culture. During her recent visit to the University of Glasgow she sat down with filmmaker and postgraduate student Max Breakenridge to discuss her work. Their talk touches on… Continue reading

Set Jetting | Filming Locations as Travel Destinations

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In September 2019, Juliette Irretier – PhD candidate in Film & TV Studies and Interdisciplinary Studies at the University of Glasgow – travelled to Filmfest Hamburg to chair its first ever panel on Film Tourism. Here she reflects on the experience, and the role that ‘set jetting’ can play in building, and even distorting, a sense of place. What inspires film viewers to travel to… Continue reading

The Hive Mind | Welcoming a New Curatorial Collective

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Fresh off the back of the Glasgow School of Art’s Graduate Degree Show 2019, we are delighted to introduce the work and ambitions of Hive, a new curatorial collective founded as a result of our MLitt in Curatorial Practice (Contemporary Art). Here they reflect on the need for collaboration, of finding innovative ways to reach… Continue reading

Pero, Performance & Mental Health | Interview with Theatremaker Mabli Godden

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Mabli Godden is a dramaturg, community artist and theatre practitioner. She graduated in Theatre Studies from the University of Glasgow in 2014 and went on to complete an MLitt in Playwriting and Dramaturgy in 2018, specialising in dramaturgical practice. In a post to mark Mental Health Awareness Week, Mabli reflects on her show ‘Animal Hour’,… Continue reading