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Paris, May 1968

Published on: Author: casidylan Leave a comment

The final post in our Student Undergraduate Award Showcase is a two-hander, as Theatre Studies students Emma Drostby and Christopher Watts’ reflect on their performance piece, ‘Paris, May 1968’. The piece – devised entirely online – approaches COVID-19 through the lens of memory and trauma, and, in the combination of image and soundscape, explores both… Continue reading

Fever Dream

Published on: Author: casidylan Leave a comment

The penultimate piece in our Student Undergraduate Prize winner series comes from Music student Maria Mulvenna, who won the award with her composition Fever Dream: for Voice, Percussion, Violin and Cello. Here she reflects on her ideas, influences, and creative processes, which were both helped and hindered by the recent COVID-19 lockdowns. When I first… Continue reading

美 | beautiful

Published on: Author: casidylan Leave a comment

Our showcase of Student Undergraduate Prize winners continues with 美 (beautiful), an audiovisual composition complete with an introduction from the composer herself, Angela Ng. As Angela explains, the piece – composed for Mezzo-Soprano, Glockenspiel, Violin and Piano – explores the ‘before’, ‘during’ and ‘after’ of a music performance through a unique lens. The score for… Continue reading

Outsider Art, Revisited

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The second piece in our week-long celebration of the 20/21 Student Undergraduate Prize winners comes from recent graduate in History of Art, Luisa Hahn. Here she explores some of the influences that shaped her video podcast on Outsider Art, and the freedom that came with the invitation to submit an assessment in a creative format.… Continue reading

How to say it?

Published on: Author: casidylan Leave a comment

In the first of a week-long series celebrating the work of our 2020/21 Student Undergraduate Prize winners, Niki Radman reflects on her piece eye/contact, an audiovisual exploration of looking and eye contact in the cinema of Barry Jenkins. I finished working on ‘eye/contact’ in December 2020, and had begun piecing together the final cut about… Continue reading